Mithu Sen
I am from there. I am from here, 2022-23
Mixed media with real and artificial hair, metallic thread frozen in clear resin, illuminated by light shining through the layered script.
with four clear resin blocks, each: 3.5ft x 3.5ft x 1.5in
approx installation dimensions: 16 x 4 ft
approx installation dimensions: 16 x 4 ft
Copyright The Artist
I am not there and I am not here. I have two names, which meet and part, and I have two languages. I forget which of them I dream in....
I am not there and I am not here.
I have two names, which meet and part, and I have two languages.
I forget which of them I dream in.
- Mahmoud Darwish
An installation with hair- drawings of an imaginary script that resembles Arabic, and a performance of poetry-reading in ‘non-language’.
This project extends my broader commitment to the act of un-mything, which is made manifest by limitations and feelings of anxiety/ fear as a subversion attained through a radical (un)establishment of language as both script and sound. This process of (un)scripting/ creating imaginary script leads to a series of effects being induced as a result of one's inability to comprehend, thereby 'othering’ normative reading and highlighting further the inhibitions and limitations of human communication, particularly in a cross-cultural scenario.
A desire and desperation to immediately make sense are rendered impossible resulting in confusion, agitation, and after a substantial struggle, frustration. At not being able to make sense of a point in the text, the reader/audience moves on- with an ‘assumption’ rather than deriving complete meaning in their mind. This induced dyslexia of the mind, therefore, becomes at once the site and the process of un-mything.
Mithu Sen, 2022 New Delhi, India
I have two names, which meet and part, and I have two languages.
I forget which of them I dream in.
- Mahmoud Darwish
An installation with hair- drawings of an imaginary script that resembles Arabic, and a performance of poetry-reading in ‘non-language’.
This project extends my broader commitment to the act of un-mything, which is made manifest by limitations and feelings of anxiety/ fear as a subversion attained through a radical (un)establishment of language as both script and sound. This process of (un)scripting/ creating imaginary script leads to a series of effects being induced as a result of one's inability to comprehend, thereby 'othering’ normative reading and highlighting further the inhibitions and limitations of human communication, particularly in a cross-cultural scenario.
A desire and desperation to immediately make sense are rendered impossible resulting in confusion, agitation, and after a substantial struggle, frustration. At not being able to make sense of a point in the text, the reader/audience moves on- with an ‘assumption’ rather than deriving complete meaning in their mind. This induced dyslexia of the mind, therefore, becomes at once the site and the process of un-mything.
Mithu Sen, 2022 New Delhi, India
Sign up to receive the latest news about exhibitions and artists
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.