N.S. Harsha's latest suite of paintings, offer the artist's
witty and poetic, political and social responses to a variety
of issues relating to global economics, the marketplace, and
cultural heritage. The figurative and narrative paintings are
woven out of the artist's personal travel experiences, photographs
and images culled from the media. Like a chronicler, often drawing
from popular stories and local perceptions of international
news events, Harsha depicts on his canvasses small town/city
Indian life in our increasingly globalized times. His intricately
detailed canvasses juxtapose seemingly disassociated images
of scenes of small town and village India with those of more
recognizably international ones. Harsha's multi-layered narratives
strongly suggest that the global is always already located within
the local imagination.
Harsha creates in each of his acrylic on canvas paintings intimate
spaces that bring to mind the basic format of early cinema or
theatre halls usually found in small towns and villages. The
narratives in Harsha's satirical canvasses unfold against painted
backdrops as his figures - the Queen of England, school children,
the quintessential Indian farmer figure, Hindu mythological
characters, or sages and clowns - juxtaposed against them act
out complex scenes before us. Painting delicate banners into
his paintings, Harsha cleverly plays with text and words. That
Harsha's imagery is influenced by popular street and poster
art, and draws much from children's text-book illustrations,
Bazaar Art, and the forms found in handcrafted folk toys, is
evident in the form and treatment of his flattened figures,
skewed perspectives, and fine lines.
N. S. Harsha was born in 1969. He completed his BFA in painting
from CAVA, Mysore, in 1992, and his MFA, also in painting, from
the Faculty of Fine Arts, M. S. University, Baroda, 1995.
He received the Sanskriti Award in 2003 and Vasudev Arnawaz
Award in 1992.