Transiting between his roles as artist and activist, Tushar
Joag imagines projects that integrate aesthetic experience and
social vision. For over a decade, Joag’s work has created a
discursive platform for urban issues through a visual practice
that is both educative and artistic. Born in Bombay and educated
at the J.J. School of Art and Faculty of Fine Arts, MS University,
Baroda, the artist’s consciousness of the limitations in using
art for social change led to a decision in the late 1990s to
produce only work with a political, critical edge. For five
years, beginning in 1998, Joag participated as a founder-member
in Open Circle, an artist-led initiative that uses artwork and
activism to probe local, contemporary politics.
In 2004, Joag activated UNICELL, a mock corporation that publicizes
common problems in Bombay by mimicking the workings of single-bodied
governmental bureaucracy. As an artistic project, Joag intentionally
invents unrealistic solutions that would be impossible to implement.
UNICELL’s fictitious interventions have satirized the city’s
transformation into the next Shanghai and elaborated a plan
for it to become the next “Venice of the East.” On its website,
www.unicellpwc.org, Joag explains the position from which he
develops projects: “art is responsible for maintaining cultural
continuity as well as providing ruptures that bring a fresh
outlook through its questioning of the present.”
Joag’s first solo exhibition “Willing Suspension,” held at
Gallery Chemould in 2005, invoked viewers to understand the
large-scale, physical problems besetting Bombay’s overcrowded
suburban rail network. The artist’s Commuter Attachment
System installed the façade of a western rail suburban
car onto the gallery wall, appending to it an inventory of ‘attachments’
that could alleviate the stresses of rush-hour travel. Rather
than adopt a behalfist, subaltern perspective to speak for the
city’s masses, Joag’s work struggles through the frustrations
of contemporary life with humor and hyperbole, reminding the
public of the full scope of urban reality.
Beth Citron
Also visit: www.unicellpwc.org