Layering works with figures, sites, and experiences already
imprinted in her memory, Jayashree Chakravarty distills dreamlike
cosmic spaces into the dimensions of painted canvas. Educated
at Santiniketan and the Faculty of Fine Arts, MS University,
Baroda, Chakravarty was the Artist in Residence at the Ecole
d'Art, Aix-en-Provence, France from 1992-95, and currently lives
and works in Calcutta. Over a 25-year career, Chakravarty has
unfolded multiple meanings from the interior of the mind, privileging
for inspiration an organic, psychic journey over physical travels
and realist landmarks.
Chakravarty's work has been shown in solo and group exhibitions
in India and abroad, beginning in Baroda in 1982 and continuing
in Calcutta, Madras, Bombay, and New Delhi throughout the 1990s.
Set amongst the canvasses included in her 2002 New York exhibition,
"The Mind Is Its Own Place," the artist also morphed
a large-scale paper work into a tubular floor sculpture. That
untitled work, with sprouted floral overlays, a textured translucence,
and bold, angular lines, mapped a fictive locale traversed with
thoroughfares like "Time Lane" and "Individual
Road." As Chakravarty began to weave frequently between
working on paper and on canvas at this time, her paper works
took on monumental dimensions and her canvasses began to absorb
a more finely applied, detailed line used to an effect of delicate,
graded valences.
In "Memory Record," an exhibition of acrylic and
oil on canvas paintings held in 2004 in Calcutta and at Gallery
Chemould, Bombay, Chakravarty's untitled works interwove outlines
of figural heads, the angular stencil of architectural elements,
and strands of text that emerged only on careful reading. Muted
colors and interpenetrating layers, interacting and receding
at alternate nodes on the canvasses, formed a non-linear narrative
of the artist's complex unconscious. The artist has noted that
her application of multiple layers of paint tracks the wanderings
of her thoughts, stating that "it is very lucid. I give
shape to whatever drifts into my mind."
Alongside oil and acrylic on canvas paintings that developed
earlier themes and motifs, the artist presented mixed media
on paper works in a 2006 exhibition in Calcutta, "In the
Very Face of Time." Experimenting with bold, expressive
abstraction and modulated surfaces, these works reflect Chakravarty's
continuous exploration of issues drawn from her own artistic
journey.
Beth Citron