Having trained as a Picchvai and miniature painter, in Jaipur,
Rajasthan for over 15 years, this recent work is a return to
contemporary imagery. Desmond was born in the UK (Leeds) but
has lived much of his adult life in India. For much of this
time he worked as Picchvai and miniaturist so his work is rooted
in traditional language along with its methods, materials and
symbolism.
In these new works as he continues to employ traditional techniques
in a craftsman like manner through the stringent preparation
of all materials: cloth, paper, brushes and pigment colours.
These materials are an integral part of the process of painting.
Through this change however, the imagery, the context and meaning
inevitably shift. The Picchvai scale continues although the
iconography moves from the sacred to the secular; rusting cars,
shards of modern life - modernity itself is animated, suspended
in the miniature format. The personal narrative shuffles miniature
paintings of the Moghul period - those psychological portraits
of people and animals - to memories of the industrial urban
landscape of his childhood. In both, the often-discarded moments,
people and places, ordinary and everyday things, become elevated
and transmuted.