Giving voice to the nayika she introduced and imaged in her
inaugural solo exhibition at Gallery Chemould in Bombay 1991,
Anju Dodiya wrote, "in this other world, she suffers only
an artist's insomnia." In the subsequent 15 years, Dodiya
has composed visual poems tinged in shades of both night and
day, effecting layered works that narrate a balanced dualism
of the unconscious. Though she adapts art historical sources
as varied as Japanese ukiyo-e prints, medieval French tapestries,
and Kiki Smith's contemporary figuration, the artist's own interiority
and self-reflection are the primary catalysts for her imagination.
Born in Bombay, Dodiya graduated from the JJ School of Art
in 1986, refining her talent with watercolors while still a
student there. Since then, Dodiya's exhibitions have unfolded
a textured, thoughtful story with an intuitively feminine orientation
and an elegant simplicity. After years of producing beauty with
her watercolors, Dodiya tempered her work in by drawing in gray
for a 2001 exhibition at Chemould; she said, "I no longer
wanted to make the image so precious. I fought it with charcoal."
Dodiya's 2005 exhibition The Cloud Hunt initiated a series
painted on mattresses, reaffirming the artist's full-time preoccupations
from all hours and adding a mythological element to the tensions
inherent in her vision. This material base cushioned the aggression
her protagonist would hope to inflict, reflective also of the
inherent futility in the pursuit of hunting clouds. The artist's
first, self-titled solo exhibition in New York in 2006 developed
this medium further, visualizing the themes of sleep and night
in some of her mattress-as-canvas works.
With both monumentality and precise attention to detail, Dodiya
staged Throne of Frost in the darbar hall at Baroda's historic
19th century Laxmi Vilas Palace in 2007. Complementing motifs
and themes already present in the architecture, Dodiya's paintings
for this exhibition were set against rich, embroidered fabric
and transformed into an installation - a circular, group conversation
dancing around carefully lain shards of mirror.
Beth Citron